the intellectual and theoretical curiosity which informs the visual exploration of my work takes shape across a variety of artistic media: from participatory installations to soundscapes, from video to photography, from text to programmed languages.
My interest in the issues of memory, archive, surveillance, the panopticon and politics of representation is deeply entrenched in the geopolitics and in the never-ending conflict that afflicts my native Afghanistan. The relevance of such issues, however, overcome geographical specificities and appeal to a contemporary condition that is globally shared.