Almudena Lobera has been devoted in recent years to showing alternative models for the configuration of the visible, delving deeply into the notion that the image is not always visible or accessible in nature. She explores the nature of the image, its varying layers, the perception of the (un)represented, the questioning of the ‘work of art’ as device and the relationship of the work with the space and with the beholder. Her work aims to connect the legacy of the past and the influence of Classical and Renaissance authors with the indication of what is to come from an instantaneous continuous present that explores the ephemeral and virtual image qualities in our era.