Nokukhanya Langa’s practice is defined by her distinct and subversive visual language. She is neither of a school of pure abstraction, nor are her works plainly narrative or figurative. Instead, her works exist in the same space as would vernacular idioms. They are fugitives to direct meaning, and intuitively insinuate. They layer private histories, political and cultural undertones, allegories, seditious narratives, and humor, ultimately revealing themselves. Her work has a multiplicity among them so that a style is never full and her oeuvre is never fully settled; there seems to be an air of dissimilation - things are not totally straightforward. There are hidden meanings and tongue-in-cheek political expressions that are proclaimed as casually and softly as everyday idioms, while equally rife with meaning and intent.