Arti et Amicitiae is proud to present the group exhibition What My Hands Know, with new and existing work by twelve international and Dutch artists: Stéphanie Baechler, Sara Bjarland, Helen Dowling, Alex Farrar, Janina Frye, Ceel Mogami de Haas, Christine Moldrickx, Emmeline de Mooij, Charlotte Eta Mumm, Benjamin Roth, Evita Vasiljeva and Dieke Venema.
The exhibition focuses on artist practices where materiality, intuition and a process-driven way of working are central. The title refers to our interest in embodied knowledge and to hands as tools and transmitters of information between the inner and the outer world. In an increasingly digital world, our daily reality is often quite disembodied, and physical bodies are often viewed as obstacles rather than as carriers of knowledge. In this exhibition, viewers are invited to reconnect with their senses and to explore the tactile, material, and physical presence of the artworks. The exhibition comprises installation, sculpture and objects the broadest sense of the word: using a multitude of materials like textile, clay, aluminium, moving image, household objects, nail varnish, sound, latex, building materials, medical equipment, food and 3-D scans, the artists work across a range of both more traditional and new techniques like weaving, ceramics, drawing, editing, casting, laser cutting and assemblage. Each artist presents a unique perspective on the creative process, in which intuition, experimentation, transformation and a constant dialogue with materials is the driving force. The selection of works explore a broad range of both personal and current, universal themes, related to the relationship and interactions between the body and its inner/outer surroundings.
An essay by Fenne Saedt, curator and artistic director Ruis in Nijmegen, will accompany the exhibition.
What My Hands Know is a project initiated by artists Sara Bjarland and Charlotte Eta Mumm. The exhibition is generously supported by Amsterdamse Fonds voor de Kunst and Iona Stichting. Individual artists also received support from the Constant van Renessefonds, Mondriaan Fonds, State Culture Capital Foundation of Latvia, Amarte Fonds, Stichting Stokroos and the Swedish Cultural Foundation in Finland.