Time is deeply ingrained in our perception and experience of it and yet completely independent from both. While time follows its course, our memory of it varies according to how we compartmentalize it.
The two-year program just completed by the ten artists featured in this exhibition – which coincides with my term as HISK curator – is a paradigmatic case. This is not entirely due to the unprecedented differences between 2019 and 2020, a year that has so far been dictated by the coronavirus pandemic. So much has happened since our first days at the HISK, and we have gone through such a rollercoaster of events and emotions together, that it seems as if time has both flicked by and been stretched out.
The artworks we find in In a Long Blink of an Eye result from long processes of ideation, research, creation and making – not necessarily in that order –, much of them having come into being during this (still) strange and limiting new reality. It should be acknowledged that it was not self-evident for anyone to concretize their works. Some of the artists had to reconsider their presentations, given so much was at stake. The lack of mobility and continuous access to means of production, the absence of financial stability and an array of other uncertainties all took their toll. If this is a reality encountered by most artists throughout history and in all regions, it has been exacerbated by the current global context, to which we are still learning to adapt. It is as if time has been placed in a loop.
This year, as in 2019, no conceptual framework or starting premises were established to which the artists should respond. The curatorial approach instead favored the interests and proposals of each artist-in-research, allowing their practices freedom from one more constraint: the time is theirs to devote to their own position.
The exhibition title refers to the contradictions embedded in our relationship to time and how it can affect our outlook. It is no coincidence that the title also reflects the fact that this show is mostly composed of time-based works and/or pieces in which time is an essential element of their concept, elaboration or poetics. The notion that time is not simply lived in linearity is also echoed by the physical and rhythmical aspects of the expography, which unfolds a sinuous course that covers areas becoming gradually lighter or darker in the HISK’s brand new space in Brussels. In a Long Blink of an Eye furthermore evokes a body language that communicates care and trust, both grown out of an intense, horizontal and frank exchange with the artists during the period we worked together.
I dare say I am proud the group has come this far, regardless of the exceptional challenges they have faced. When we take in the development undergone by each HISK laureate in their work, the journey feels quite long indeed. All the same, the partnership with Che-Yu Hsu, Diego Lama, Katya Ev, Hanane El Farissi, Helen Anna Flanagan, Luca Vanello, Nikolay Karabinovych, Oussama Tabti, Shirley Villavicencio Pizango and Štefan Papčo has been so enthralling, it feels as if this two-year period just evaporated.
D.G.